Archive for the ‘Design’ Category

Are RSS readers cleaning up your posts?

Monday, June 16th, 2008

I had an experience today reading a post in Google Reader which when I later opened the post on the bloggers website I realised it simply wasn’t as clear and easy to read as it was in Google Reader. Google Reader had cleaned it up quite well.

So for bloggers out there it’s worth a quick check to compare your blog posts in a few different commonly used RSS readers versus your actual blog pages. It might just highlight some style shortcomings.

I’m no style guru, so let me know if the same applies to my blog!

Screen real estate efficiency theory

Sunday, May 4th, 2008

A couple of weeks back I wrote about User Designed User Interfaces. I talked about financial markets traders loving lots of info packed into the screen for screen real estate efficiency. Well I found a theme that meets my objectives but I’m not sure about my readers. However, I have a theory people are people, traders aren’t special so I have gone for lots of info in a tight space. I am guessing more readers will like this than and sparce whitespace design guru would advise me :)

Coincidently, we realeased Saasu R12 on Friday 2nd May and we have gone for slightly larger font but the Crtl +/- keyboard operation to change font-size is better handled for accessibility in this release.

User Designed User Interfaces

Saturday, April 12th, 2008

Trading Floor Screens

It was strange for me moving from a trading environment to the software as a service industry (SaaS). One of the biggest differences I noticed straight away was how sparse web pages were. Even the early web tools like online banking and broking portals were so inefficiently designed. They failed to optimise screen real estate and forced users to scroll, mouse, search, yada yada yada.

Traders Reuters/Bloomberg terminals and their spreadsheets were nearly always set to the smallest font size you could find (or read). You would use efficient fonts like Arial Narrow to try and squeeze a few more prices into the screens that surrounded you. You didn’t have the luxury of whitespace (actually it was blackspace). The vast majority of traders went for black background designs. This was interesting in itself.

In a way I miss that, it was extremely time and information efficient. It was also easier on the eyes and clearer for the mind. You had all your information laid out in front of you. It can be likened to ‘chess boarding’ your desk with all your paperwork so that you would know exactly where everything is and be able to grab it instantly.

You could see the markets and the world events unfold in realtime. You could be efficient, no transition costs, such as the need to navigate a clumsy mouse, tab through browsers, scroll down screens, drag and drop or refresh web content. Screen real estate was prime real estate. No cares for font-type, white space pixel counts and the finest navigation effects. Just jam it in was the approach so you don’t have to do a single thing except read it.

It dawned on me when I first came into the web applications space that financial markets traders had actually evolved their own designs. The result was quite different to web applications as we know them. Here’s some of my observations.

Traders designed and built their own screens

Traders designed their screen themselves, or ex-traders working for Bloomberg or Reuters helped them. Extremely user centric design, they got exactly what they wanted. There was no lost-in-translation, lost-in-budget or lost-in-design-ego issues to contend with.

Traders built their screens like engineers and not like designers would

Traders are generally left brain logical types which could be described as ‘engineering like’. So their screens were very matrix like. Information was given the best screen real estate if it was the most financially sensitive. Really important financials received the mega-font treatment.

Traders were bad designers, but did it matter?

Web designers and now usability designers tend to come from right-brain imaginative and creative backgrounds (in my experience). The traders didn’t care much for good looking screens. This wasn’t a male thing. There were plenty of female traders in the organisations I worked for and it made no difference. Design extended to font colour and that was it. A non-black background was an outlier in this crowd. Traders seemed to naturally design for screen real estate optimisation and minimal navigation choices (no navigation), so there was an element of design in usability.

I thought I’d write this post to highlight something which has influenced keeping features a click or two away in our Saasu application. It has been extended further in our next Saasu.com release with the new one-click menu.

Photo credit: Matt Seppings

Strangeness is a consequence of innovative thinking

Monday, March 17th, 2008

I recently watched a TED talk by Ross Lovegrove who is an organic essentialist industrial designer. I really like his work and that of his mentor Henry Moore. Lovegrove looks up to James D.Watson and Leonardo daVinci. I recommend this TED talk if you believe that the human race would be wise to take lessons from natures fat free, essential design style (as Lovegrove puts it). One of my favourite quotes is “Strangeness is a consequence of innovative thinking”. Some of the concepts he talks about are:

  • humanization of artificial light
  • earth centric design
  • organic aesthetics
  • organic essentialism
  • nature liberating form

He talked about Japan having no distinction between fine and functional art. I did not need to be convinced by this comment. I fell in love with the place on my first visit to Tokyo the super city.

And his design style:

  1. Make holistic forms and break them up into what you need to build the form
  2. Make organic things which are essential, remove the bits that aren’t needed by the design. He refers to nature drilling holes in things to remove superfluous elements and parts.
  3. “Fat free” is the consumer phrase he uses to describe this. Fat free design and fat free natural forms.

More can be found at Ross Lovegroves website or in his book Supernatural: The Work of Ross Lovegrove.